From Wikipedia
Music and dance
- See also: Dance and music of Latin America, Latin American music, Latin pop, and Latin dance
One of the main characteristics of Latin American music is its diversity, from the lively rhythms of Central America and the Caribbean to the more austere sounds of the Andes and the Southern Cone. Another feature of Latin American music is its original blending of the variety of styles that arrived in The Americas and became influential, from the early Spanish and European Baroque to the different beats of the African rhythms.
Hispano-Caribbean music, such as Merengue, Bachata, Salsa, and more recently Reggaeton, from such countries as the Dominican Republic, Puerto Rico, Cuba, and Panama has been strongly influenced by African rhythms and melodies. Haiti's Compas is a genre of music that draws influence and is thus similar to its Hispano-Caribbean counterparts with an element of jazz and modern sound as well.[28][29]
Other Latin American musical genres include the Argentine, and Uruguayan tango, the Antillean Soca, and Calypso, the Central American (Garifuna) Punta, the Colombian cumbia and vallenato, the Chilean Cueca, the Ecuadorian Boleros, and Rockoleras, the Mexican ranchera, the Nicaraguan Palo de Mayo, the Peruvian Marinera and Tondero, the Uruguayan Candombe, the French Antillean Zouk(Derived from Haitian Compas), and the various styles of music from Pre-Columbian traditions that are widespread in the Andean region. In Brazil, samba, North American jazz, European classical music, and choro combined to form bossa nova.
The classical composer Heitor Villa-Lobos (1887-1959) worked on the recording of native musical traditions within his homeland of Brazil. The traditions of his homeland heavily influenced his classical works.[30] Also notable is the recent work of the Cuban Leo Brouwer and guitar work of the Venezuelan Antonio Lauro and the Paraguayan Agustn Barrios. Latin America has also produced world-class classical performers such as the Chilean pianist Claudio Arrau, Brazilian pianist Nelson Freire and the Argentinian pianist and conductor Daniel Barenboim.
Arguably, the main contribution to music entered through folklore, where the true soul of the Latin American and Caribbean countries is expressed. Musicians such as Yma Smac, Chabuca Granda, Atahualpa Yupanqui, Violeta Parra, Victor Jara, Mercedes Sosa, Jorge Negrete, Luiz Gonzaga, Caetano Veloso, Susana Baca, Chavela Vargas, Simon Diaz, Julio Jaramillo, Toto la Momposina as well as musical ensembles such as Inti Illimani and Los Kjarkas are magnificent examples of the heights that this soul can reach.
Latin pop, including many forms of rock, is popular in Latin America today (see Spanish language rock and roll).[31]
More recently, Reggaeton, which blends Jamaican reggae and dancehall with Latin America genres such as bomba and plena, as well as that of hip hop, is becoming more popular, in spite of the controversy surrounding its lyrics, dance steps (Perreo) and music videos. It has become very popular among populations with a "migrant culture" influence - both Latino populations in the U.S., such as southern Florida and New York City, and parts of Latin America where migration to the U.S. is common, such as Puerto Rico, Dominican Republic, Colombia, Ecuador, Guatemala, and Mexico.[32]